Originally I got invited by Reallusion to join their community as a content developer for CrazyTalk Animator content after their community gave me high praises for my work on Shutterstock.
Recently, I had found one of Reallusion’s software Cloud Animator which allows me to create interactive presentations to introduce and boost my content sales by allowing others to link to my product more directly and easily.
Before Cloud Animator, I used images and YouTube videos to introduce my work. This was OK, but it didn’t allow my audiences to easily click and revert back to me like in Cloud Animator.
My name is Benjamin Sokomba Dazhi. I am from Nigeria. I have been doing animations since 2014, and I am always developing myself in it.
I am an animator and I mostly use iClone as my main animation software tool. I am very passionate about animation and I am creating a fully animated movie using iClone. In my country Nigeria, there are very few animation studios but we are beginning to grow in numbers. For now I am working alone as an indie animator, but thanks to Reallusion tools I am slowly building my team and making my animation studios dream come true!
Mark Pleasant formed Small Wonder Studio (SWS) right out of college in 1973, and never looked back. Since then he has been producing, directing, and shooting original productions, music videos, TV commercials, documentaries and 3D animation for clients around the world.
Located in Nashville Tennessee, SWS has worked with many of the record companies, clients include: RCA Records, Curb Records, BMG and Disney’s Lyric Street Records also many independent labels. Mark has served as a lighting cameraman for ABC’s “Good Morning America” and for the CBS Television Network when they came to Nashville. Working in film & video and digital-media, Mark has tackled a variety of production assignments, and in all of this he has also become a long-time iClone advocate.
“Just when I thought things might be slowing down for an old geezer like myself, things are busier than ever. And I have to say that a lot of the credit goes to the folks at Reallusion with that amazing product… iClone!” – Mark Pleasant
“The excellent tools allow me to automate many repetitive tasks so I can focus on pure creativity, and not technical details. From pre-vis to character concept art, the Reallusion packages are a studio in a box for my independent workflow, yet also work perfectly in a team based Maya and Zbrush pipeline. I’m sold.”
Lunacreciente is a company dedicated to the production of audiovisual children’s content with more than 10 years in the music industry, and 5 years and 2 Million subscribers on YouTube!
They are a young company comprised of very talented people forged in the area of music, administration, production, editing and postproduction of, audio and video content determined to deliver the best possible programming to the general public.
If you are a Photoshop artist, a Dreamweaver designer, or an Adobe user with a Creative Cloud membership then we have some awesome news for you as now you can animate 3D characters with thousands of high-quality Mixamo animations for FREE!
…well sort of free because you still need a $9.99 membership. But it really is an all-you-can-eat at the Adobe animation buffet!
Jason is a 3D artist who produces digital content such as animated graphics for television and video projections for musical theater companies. He also produces workshops for kids specializing in shooting, editing, and greenscreen.
Software used: Reallusion iClone 6.5 for Windows, Cyberlink PowerDirector for Windows, Fulldive VR player for Android, GoPro VR player for Windows
After 100 years of cinema, we are transitioning from watching a film to being present inside one. Very exciting times indeed! This cognitive leap from 2D to 360VR is so drastic that we must now start calling these new films “experiences” and we must also consider the viewer’s role early in the production process.
Creating immersive 360-degree videos requires a different sense of timing and spatial positioning. This tutorial will focus only on the challenges of creating content for viewing with VR goggles, such as those based on the Google Cardboard standard. (Note: When this tutorial refers to the “viewer”, it means the person who is wearing the goggles and watching your content.)